Badai di Awal Bahagia Part 6: Bank Robbery Goes Bad and Slow Motion Car Chase

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This clip marks the point in the film where things start to go bad for the kidnappers. 

We open with the child being held at knifepoint, which I think is a bit more security than absolutely necessary.   Rhoma tells the guys at the safe to stop filling their swags because they already have enough loot!  Next, one brave satpam (guard) decides to fight it out.  One of the bank robbers saves Rhoma’s life by shooting the satpam, and then shoots him again when the satpam aims his pistol at him.  The satpam hams up his death scene.  Rhoma takes exception to all this and gives his rescuer a good talking to.  Then we have a demonstration of superb marksmanship as the robber shoots from the hip to take out the camera.  I thought the idea is to kill the cameras at the start of the robbery, but there you go.

The police show up and the nasi goreng vendor doesn’t even turn around to look.  I don’t know what he’s selling, because that hand cart explodes in spectacular style.  These days a lot of food vendors use lpg for fuel, but back in the 1980’s, I’m pretty sure it was still charcoal.  I guess the budget didn’t extend to exploding cars, so we have an exploding kaki lima (hand cart).  Rhoma takes out one of the robbers and then realises the police aren’t going to listen to him while he’s pointing a sub-machine gun at them.

Through all the crossfire, one of the bad guys has been sitting at the jeep’s wheel, waiting for orders.  Someone finally puts this idiot out of his misery which spurs the mute robber to action.   We get to see what the traffic was like in North Jakarta back then.  In fact, it’s not much better than now.  The busses are just as battered and everything moves slowly, including the cars involved in the chase.  There were a lot of sedans (today more vans and 4WD lookalikes) and almost no motorcycles.  The streetscape looks just the same today.  Rhoma and the mute robber lose the cops when the police stop for a red traffic light.

We stop the chase at this point because Ana is preparing a treat for our next installment.

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Gayus Tambunan: Indonesian Prison Time is Travel Time

From Gayus' Passport

Some convicts make good use of their time in prison.  They take advantage of all the free time to earn educational degrees, learn new skills, try artistic pursuits etc.  But Gayus has taken things further.  He’s using his prison time to see the world!  Not content with attending tennis tournaments in Bali, it seems Indonesia is too small a place for Gayus and he has been travelling overseas to Macau and Malaysia.  So far, it is thought all of the overseas trips took place before Gayus was busted at the tennis tournament.  But enquiries are now being made with immigration to establish exactly how many overseas trips, when they occurred and who issued the passport. 

There is a rumour that some recently discovered photos of Gayus taken in Thailand were taken while he should have been home in prison.  However, there is no evidence to prove that they were not taken before the whole scandal broke.  There is also the possiblity that he was photoshopped into the pictures, but I consider the former of the two explainations to be more plausable.

Isn’t that passport photo a classic?  If anyone looks like he’s wearing a disguise, it’s the guy in the picture.  His birthday just happens to be Indonesia’s Independence Day, which is the equivalent of a US citizen being born on 4 July, or an Aussie on 25 April.  The astounding thing is that the immigration officials in Malaysia and Macau actually accepted that picture as a true representation of anyone.  I guess they don’t mind, since the likely reason for his visits were merely to spend money in their casinos.  But if people like Gayus can get Indonesian passports under false names, it’s little wonder that it’s so difficult for ordinary, law abiding Indonesians to get visas to countries like USA and Australia.  Let’s hope that this scandal embarasses the Immigration Department into tightening up its corrupt practices and visas for overseas travel become easier to get for the people such as students and businessmen who would give benefit to Indonesia from it.

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Dangdut: Dewi Persik and FPI

Dewi Persik

Dangdut superstar Dewi Persik has taunted the Islamic fundamentalist sector of Indonesian society by stating that the acronym FPI (Front Pembela Islam – Islamic Defender’s Front) would be better used as Fans Persik Indonesia.

Which is really just an excuse for me to make a gratuitous post featuring more Depe  clips such as this one, Jangan Pegang Dulu:
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Here Dewi is singing at a dangdut amateur singing contest KDI (Kontes Dangdut Indonesia) for TV station TPI.  At one point she adds “Aku cinta KDI” to the lyrics.  Of course, she isn’t a contestant, she’s giving a demonstration of how it’s done.  The lady in the green blouse is Titiek Puspa, who has been singing dangdut since the 60’s and an icon of Indonesian music.  She has given public support to Inul other female singers in the face of fundamentalist reaction.  Another senior singer in the judge’s seats is Mansyur S, who Depe identifies as ‘Ayah Mansyur’.  Her ability to interact with the crowd without missing a beat or a note is outstanding.

In this Balinese style rendition of SMS, Dewi arrives on stage riding a lion:
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She shows she can belt out a tune as well as any rock diva.  Notice that she doesn’t ignore the audience, but engages the front rows twice in the course of the song. 

There are racier versions on YouTube of Depe performing this song, but I wouldn’t feel comfortable playing them at my office, but you can search them yourself if you really must.  I don’t watch many Western music videos, so I can’t compare, but I can see where the fundamentalists are coming from when they accuse her of being pornographic.  I consider her a great performer who doesn’t need to engage in erotic dancing - she would be one of the greatest without it.  But personally, I think she likes to do it, it’s part of her interpretation of the song.  Whether she should be banned?  That’s a question for Indonesian society as a whole, not one single group. 

Here’s one final, high intensity, Depe clip for you, Macam Macam:

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Hopefully, all this will satisfy the hordes that have been coming to this site searching for more Dewi Persik.

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Bad Hair Day

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This funny Indonesian advertisement with the surprise ending has been doing the rounds lately.  I found it on Neatorama, who got it from Dark Roasted Blend.

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Badai di Awal Bahagia Part 5: Rhoma Robs a Bank

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With his daughter’s life at stake, Rhoma carries obeys his kidnappers and participates in a bank robbery. 

For some reason, the satpam (guard) does not react to the jeep screeching to a halt right outside the bank’s doors.  He doesn’t even look up when five guys carrying gunny sacks storm into the foyer.  This is perhaps the most realistic part of the film.  Satpams are not noted for their bravery and are commonly ignored by people coming and going from the buildings they supposedly guard.  Unlike in the West, they are not recruited from retired police or military personnel, but are usually just local guys who would otherwise be unemployed.  There are some exceptions, of course.

Once inside, Rhoma does a very poor job as a robber.  This will lead to an unfortunate outcome.  By doing an unprofessional job, he puts at risk the lives of himself and innocent people.  The satpam who escapes up the stairs comes back later, only to be shot dead as a consequence of Rhoma’s dithering.  However, he has a commanding voice.  One staff member throws his hands in the air and freezes when Rhoma says ‘excuse me’.

We get an insight into Rhoma’s fan base when granny is the only one among all the staff and customers to identify him.

From what I’ve seen of Indonesian banks, there’s hardly any need to open the safe.  Usually there are piles of cash bundled up in bricks.  Maybe that’s why there are so few real bank robberies – the highest denomination note is worth $US10, which means you need a wheelbarrow to move any sizeable amount of cash.

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Badai di Awal Bahagia Part 4: Rhoma Breaks Through

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A lot has happened since we left the children clapping in part 3.  Having established Rhoma’s credentials as a Dangdut Superstar, we need to see him as a family man, personally building a swing after which he sings a duet with second wife Ricca Rachim.  The voice actually belongs to the lovely Rita Sugiarto, who’s  had a long music career and deserves a post in our “Dangdut” section when I get around to it.  Anyhow, the song’s a bit of a filler, watch it at your own risk (saccarine sweetness warning):

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Fortunately (for us), the family bliss ends when the ‘very smart’ child allows herself to be kidnapped.  You see, since he escaped from prison, Herman has vowed revenge against Rhoma.  He tells the teacher that Rhoma’s in hospital and Herman has come to bring her to see him.  In fact, Rhoma was busy – perhaps visiting his first wife… or his third?  Amazingly, after demanding a ransom, Herman shows up at Rhoma’s house that very night and offers to set things right.  But Rita won’t talk to him while her husband’s away.  Too bad, because when Rhoma goes to pay the ransom he gets beaten to a pulp and kidnapped himself.  Just to show us how really nasty Herman’s gang is, we see them exporting a group of girls to an uncertain fate in Singapore.  One of the girls, Diah, misses the boat after one of the gang tries to rape her, so she’s given the responsibility of keeping Rhoma’s brat quiet.  This is the occasion for another song from Rita Sugiarto.  It a bit ponderous and the lyrics don’t fit the stanzas all the time, but here it is, if you must watch it:

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This brings us to the current clip (at the top), where Rhoma punches a hole in his cell to get a good look at what they’re doing to his daughter.  I shouldn’t laugh, but seeing him clutching helplessly at Herman cracked me up.  The bad guys don’t seem quite so bad when they have so much trouble just catching a child.  I really thought for a moment the director would actually suspend the little girl over the well.  I believe he would have done it if it had been technically possible.  Anyhow, Rhoma is told that he has to rob a bank, and he agrees to it.

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Badai di Awal Bahagia Part 3: Adu Domba

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If you’ve been watching so far, you’ll know the bad guys have busted Herman out of prison.  After that we get to watch what seems like hours of Rhoma’s home movies showing what a good family man he is, and he sings a duet with his current favourite wife and their irritating daughter. 

This clip has no relationship to the rest of the film, except to demonstrate Rhoma’s credentials as a star.  When I read the title of the song, Adu Domba, I translated it literally as “oh, sheep”.  In fact, the phrase is an idiom.  Domba can mean sheep, but also ram.  The idiom refers to a situation where two strong men are made to fight each other, usually for the benefit of the fight’s instigator.  These lyrics have nothing to do with the film’s plot, though.

Some interesting features of this clip include the drummer who doesn’t use sticks, the exceptional flautist (why is he the most charismatic guy in the group?), the crazy medieval style costumes, Rhoma’s beret and the mincing dance steps which the band make, especially the guy on the tambourine.  How do you get a job as tambourinist?  That guy looks completely superfluous.  Rhoma does a good job of singing, which is something he should concentrate on.

At the end of the song, we have a weird segue to a classroom full of kids clapping.  It’s a little unsettling as we were expecting a bigger crowd to be applauding Rhoma.  Instead, we see it’s his daughter getting the applause.  The teacher congratulates her for her singing and also for her dancing and asks her where she learnt to dance?  “Nobody taught me, I just watched Pappa”… hmmm, so she’s saying Rhoma dances like a girl?  Anyhow, the teacher thinks the girl is so clever she deserves another round of applause.  See the disturbing mannequins in the background?  They’re used to teach the children how to dress in the “Islamic style”.  I guess the school is funded by Saudi money.  Anyhow, you can still find mannequins like that in cheap clothing stores, they still make them like that.

Anyhow, I hope you enjoy the song.

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Dangdut! Dewi Persik

The performer

Dewi Persik, or ‘Depe’ to her fans, is one of the most honest performers in dangdut.  She seems to have two speeds: fast and faster.  Spontaneous, a great voice and an obvous love of performing make it a pleasure to watch her.  She got her start in TV soapies and has done a few films, this is one of her earliest songs:

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This clip also features one of her popular songs, but also shows more of her personality:
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One more, if this doesn’t get your heart rate up, you’re just not paying attention:
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Obviously, performances such as these raise the ire of conservative groups, such as the FPI (Islamic Defender’s Front):

"Here, look at this evil stuff that should be banned"

So when pictures like this one were released, they were enraged, demanding all sorts of horrible punishments:

Depe topless

Even though it doesn’t actually show anything.  Depe later stated the pics were taken in the make-up room before a photo session and were never intended for publication.  Not that an excuse like that was any help to Ariel.

To appease the mullahs, here’s a more sedate pic of Depe:

Dewi Persik in Jilbab

That’s better, isn’t it?  She’s a girl from Jember, after all.

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Badai di Awal Bahagia Part 2: The Great Escape

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After the first scene in this movie, the bad guy (Herman) who got left behind was arrested and thrown in jail.  Rhoma did his civic duty and identified him.  We were also subjected to some sickening scenes of domestic bliss between Rhoma, one of his wives and their chubby toddler daughter.  But Herman doesn’t like prison life and decides he wants to leave.  Instead of leaving prison in the usual way (paying the governer and a few guards a fat bribe and then walking out), these baddies have to do things the hard way.

The scene opens outside Cipinang Prison.  This location used to be a famous hang out place in the days before nice air conditioned malls.  So the two of Herman’s collaborators pose as lovers as they wait for him to break out.  He waits for the spotlight to shine on him before he makes a break for the wall.  I won’t spoil the rest of the clip for you, but in case you’re confused, there’s another escapee who follows Herman out, but doesn’t make it over the wall.  But do watch out for 0:44, where the lady in the green dress is caught unprepared. :)

There’s so many weird things in this clip – how the guard can shoot the rope but then miss him every time, why his rescuers make him limp all the way to their car… I’ll leave it for you to find more.

The next clip in this series from this film coming soon.

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Exploitation Movies: Barry Prima – Environmental Tarzan

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There’s not much I can add to this clip that you won’t notice yourself.  My favourite bits are:

  • when Barry wobbles on the log while addressing the baddies after he lets go of the vine;
  • the two guys at :15 who continue chipping away at a branch while it’s all happening in the foreground;
  • the chainsaw fight, which is a total classic;
  • the two-man manual saw fight, particularly where Barry holds the tree for them to cut it so they can get at him; and
  • the marksmanship displayed by the lady with the gun.  Look at how she holds it!

Barry Prima had a Dutch father and an Indonesian mother, hence his Western looks.  This film is one of many he starred in, this one dating from 1989.  His martial arts skills are outstanding, as you can see.

UPDATE:

Someone found this post today (24 March 2011) by googling: “youtube filem taszan barry prma”  So cute.

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